God
Objectified- Kate Starr/Tamara Lebak
You’ll have to use every form of
transportation
to get there –
a plane, a train, cars and buses,
and something that floats.
The last few
hours you’ll spend on foot
following the
directions of country people
speaking languages that are difficult to understand
using hand
signals
and maps drawn
with sticks in dirt –
turn left at a
certain cedar that looks like a man,
make a right
at the rock formation
of mother and
child,
go through the
valley, cross over a bridge, go
until you come
to the crossroads …
Then, if you
are looking carefully,
stairs will
appear underfoot
leading you to
a door that looks
very much like
your own front door,
into a foyer
with multiple mirrors
and countless
corridors.
Lining every
hall are rows and rows
endless rows
of card catalogs,
sky-high
shelves of dusty books,
stone tablets,
papyrus scrolls,
oral
traditions preserved on vinyl and cassettes,
8-tracks, CDs,
and DVDs.
Down one
corridor is a portrait room.
There you will find an ornately framed painting
of each and
every person who has ever lived.
Or ever will.
Down another
passage you enter an audio library
where the
thoughts of every man, woman
and child are
audible.
There is a
also a video room,
with screen
upon screen and holographic
images of
unspeakable horrors
and moments of
unbridled elation.
People of
every sort are here
looking for
something:
their origin,
their genealogy, a connection,
Hope, Justice,
Love.
Occasionally
you will see
those who have
taken up residence
in the
hallways and sitting areas
and have no
other home but here.
You might find them sleeping under newspaper
or silk
calligraphy banners,
grumbling
about the chatter
and having to
share the space.
Animals of all kinds lope and slither and fly
throughout the
halls around you.
Some creatures
require a microscope to see,
others a microfiche to remember.
In one room,
children slide down a giant Plexiglas
replica of the
human body.
When you glide
behind the eyes you catch glimpses
of the infinite and the minute.
Pass through
the heart and you experience
the incredible
capacity for love and hate.
Slipping
through the intestines you intuitively
feel empathy
and fear.
Make your way
through the birth canal and,
just for an
instant,
you truly
understand all the paradoxes of life.
And somewhere
in the bowels of this modern
steel and
glass marvel,
in the turret
of this medieval
stone and
mortar castle,
somewhere in
this igloo, this condo,
this mansion,
this hut,
sits the sole
proprietor, the archivist,
the docent,
the librarian
meticulously,
systematically, analytically
and very, very
lovingly,
counting the
hairs
on yet another head.
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